His father was a mediocre painter who upon Raphael's birth knew of a divine quality that his son possessed. Like the ideal Italian family situation of the day, with two parents and one son, he was raised by his parents in an environment protected from regular peasants and other "less refined" persons. At an early age, his father noticed a strong artistic ability in Raphael, not just the feeling he had at birth, and so he was sent away to study under Pietro Perugino in Perugia.
This piece is one of four Raphael paintings that cover the walls of the Stanze della Segnatura in the Palace of the Vatican. At first glance, and even just by reading the title of the piece, it is clear that education is a major theme. Humanism during the Renaissance included a shift toward individual worth, potential, and scholarly pursuits.
In a sense, the driving force behind this movement was the rebirth of work by ancient Greek and Roman scholars. In light of this rise in appreciation for the antiquities, this piece of art is filled with numerous references and symbols relating to great minds of the past and present.
In the center of the piece are Plato and Aristotle. Plato is on the left wearing a red and gray robe and Aristotle is on the right in a blue and brown robe. Next to him, Aristotle is holding his hand out over the ground in representation of his interest in concrete science.
All the figures in the painting are representations of important figures in education and advancement. Pythagoras can be seen in the front left seated with a red and white robe.
In a red robe on the right side is Euclid; he is bent over teaching a small group of people. On the left side with Plato he includes the intellectual thinkers who were similar to Plato, and on the right with Aristotle he includes the great thinkers of tangible sciences.
This painting is very symbolic of this potential that education can provide an individual. The attention to detail in this piece is astounding.
Apart from the scholars included in the image, Raphael does amazing work with the structure of the building the scholars are depicted in. He was able to effortlessly make the 2 dimensional surface appear 3 dimensional.
In addition to promoting creativity of the mind via the subject of the painting, he also inspires the viewer to really think about the piece. Raphael did not leave any key or identification chart for the figures depicted in the painting.
Thus, he leaves the viewer responsible for determining who each person is, and expects anyone who can view the painting to have enough education to do so. Humanism in the Renaissance.
Humanism in the Rennaissance. Houghton Mifflin Harcourt, n. Steven Zucker and Dr.Raphael - Architect (Raffaello Santi) From Urbino to Rome National Gallery, London 20 October January The Raphael exhibition at the National Gallery in London does not extol his skills as an architect in the true tradition of the Renaissance.
Later in his career Raphael would paint St. George as a grown man in St. George and the Dragon. Another great painting by Raphael was The School of Athens. Among the famous people shown in the painting are Plato, Aristotle, Euclid, Ptolemy, Pythagoras,and Michaelangelo.
It is said that one of the figures in the painting is a self portrait of Raphael/5(9).
‣ Raphael abandoned every trace of Peruginesque influence in Florence and returned to Umbria in the same year with new pictorial motifs which he was to express in two notable works, the Colonna Altarpiece and, a bit later, the Ansidei Madonna, also known as the Enthroned Madonna with Saints John the Baptist and Nicholas of Bari.
Raffaello Sanzio da Urbino  (April 6 or March 28, – April 6, ), better known simply as Raphael, was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and grupobittia.comer with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael Paintings: Raffaello Sanzio da Urbino born on March 28, , better known simply as Raphael, was an Italian painter and architect of the High Renaissa. Unlike most editing & proofreading services, we edit for everything: grammar, spelling, punctuation, idea flow, sentence structure, & more.
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