The following entry presents criticism on Walker's novel The Color Purple through For further information on her life and complete works, see CLC, Volumes 5, 6, 9, 19, 27, and
Walker identifies diverse literary influences as well: In particular, the language of her characters marked Walker early in her career as a careful listener and later as a medium through whom the characters speak.
Meridian moved away from strict chronology, using vignettes as puzzle pieces.
Those two novels show the conception of character and language development that bore unique fruit in The Color Purple.
Similarly, in The Temple of My Familiarthe characters share narration, which gives the effect of storytelling and reveals much of their personalities through their use of language. For example, her black female characters experience much in common with the larger black female population: Instead, she creates believable heroines.
Ruth, Meridian, Celie, and Shug are made fine, in part, by their flaws; from their believable experiences, a light may be brought to bear on more universal truths. In The Third Life of Grange Copeland, Meridian, and The Color Purple, black men react against their economic and social oppression by dominating their wives, lovers, and daughters.
Not an apologist, Walker ultimately demands that black men assume responsibility for their actions. Walker focuses far more on the internal struggles of black people and the black community than on the relationship between the races.
As Walker demands the assumption of responsibility by black men, so she commands all of her black characters to look to themselves, to find their inner strengths and talents and thereby improve their lives.
Meridian realizes that the best way she can help people is to put them before the movement that, to her, becomes a separate entity whose radicalism she cannot embrace; moral integrity overrides a political agenda. The importance of the family unit is another theme on which Walker varies throughout her fiction and nonfiction.
Given the dysfunctional marriages and relationships between black men and women presented in her work, the hope of sanctuary in the family may at first appear absurd.
In The Third Life of Grange Copeland, for example, Ruth and her grandfather form a family unit based on trust and reciprocity. Slavery destroyed family relationships for the African American; Walker suggests reclaiming the family as an important element of black self-determinism.
The theme of change accompanies each of the already discussed themes: Novel A black tenant farmer achieves integrity from a life of oppression, and redemption through love and sacrifice.
Grange Copeland begins his married life with Margaret as an optimistic sharecropper. He drinks heavily and begins a sexual relationship with a prostitute.
When Margaret retaliates by having sex with white men, which results in a light-skinned baby, Grange abandons Margaret and the children, going north.
Completely demoralized, Margaret kills the baby and herself, leaving Brownfield alone. Mem dreams of a middle-class life for them, and Brownfield believes, as did Grange, that working as a sharecropper will be a stepping-stone to this better life.
As was the case with his father, a growing family and indebtedness work against him. Mem, no matter how Brownfield batters her, manages always to hold up her head and tries to improve their situation.Ikenna Dieke, ed.
Critical Essays on Alice Walker. Westport: Greenwood, pp. $ The work of Alice Walker has arguably generated more contested readings than that of any other living African American writer except Toni Morrison, and this volume adds some useful essays to extant criticism.
Alice Walker’s The Color Purple follows the personal and spiritual growth of an impregnated and abused African American girl in the grupobittia.com finds her voice and personal identity over the years.
As such, the work does function as a feminist novel. However, its deeper thematic elements offer an alternative approach to spirituality. “The Flowers” by Alice Walker is a short story written in the ’s. The story focuses on Myop, a ten year old African American girl who loves to explore the land in which she lives.
Carefree and naïve, Myop decides to travel further away from her ‘Sharecropper cabin’ and travels deep. Walker is at home in many literary forms, managing originality and innovativeness in whatever genre she chooses, be it poetry, essay, or long or short fiction.
Walker identifies diverse literary. “The Flowers” by Alice Walker is a short story written in the ’s. The story focuses on Myop, a ten year old African American girl who loves to explore the land in which she lives.
Carefree and naïve, Myop decides to travel further away from her ‘Sharecropper cabin’ and travels deep. Alice Walker is one of the most influential and controversial figures in twentieth-century American literature.
This collection of essays represents a dispassionate scholarly effort to comprehend the essential elements of her prolific imagination, which celebrates women by chronicling their troubled.